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AVOX 4

Antares Vocal Toolkit

Create stunning vocal tracks in any musical style as well as design unique vocal effects for audio post-production.

AVOX 4

The AVOX 4 Vocal Toolkit combines 11 of our state-of-the-art vocal processing plug-ins to give you the power you need to create stunning vocal tracks in any musical style, and design unique vocal effects for audio post-production applications. All at a substantial savings over purchasing the plug-ins separately.

 

AVOX 4 includes:

Harmony Engine EVO - Vocal Modeling Harmony Generator

The quickest, easiest tool for creating realistic harmonies. More Info...

Mic Mod EFX - Classic Microphone Modeler

Makes the mics you own sound like the mics you wish you owned. More info...

MUTATOR EVO - Extreme Voice Designer

The ideal tool for unique vocal special effects and post-production sound design. More info...

ARTICULATOR EVO - Digital Talk Box

Perfect for talking guitars, singing synths, whispering voices, and a wide range of special effects. More info...

WARM EVO - Tube Saturation Generator

Warms up vocals with our world-renowned analog tube modeling technology. More info...

ASPIRE EVO - Aspiration Noise Processor

The world's first tool for modifying a voice's breathiness independently of its harmonic content. More info...

THROAT EVO - Physical Modeling Vocal Designer

Subtly (or radically) re-sculpt vocal characteristics with a meticulously crafted physical model of the human vocal tract. More info...

DUO EVO - Vocal Modeling Auto-Doubler

Automatically generates a doubled vocal part with unmatched ease and realism. More info...

CHOIR EVO - Vocal Multiplier

Turns a single voice into up to 32 distinct individual unison voices; assign instances of CHOIR to voices singing harmony and voila, instant choir. More info...

PUNCH EVO - Vocal Impact Enhancer

Gives your vocal more dynamic impact, allowing it to cut through a dense mix with clarity and power. More info...

SYBIL EVO - Variable Frequency De-Esser

Tames vocal sibilance with a flexible compressor and a variable sidechain frequency to match any vocal performance. More info...

Videos

AVOX 4

The Antares Vocal Toolkit

ARTICULATOR EVO

Digital Talk Box

ASPIRE EVO

Aspiration Noise Processor

CHOIR EVO

Vocal Multiplier

DUO EVO

Vocal Modeling Auto-Doubler

Harmony Engine EVO

Vocal Modeling Harmony Generator

Mic Mod EFX

Classic Microphone Modeler

MUTATOR EVO

Extreme Voice Designer

PUNCH EVO

Vocal Impact Enhancer

SYBIL EVO

Variable Frequency De-Esser

THROAT EVO

Physical Modeling Vocal Designer

WARM EVO

Tube Saturation Generator

Audio Sample

ARTICULATOR EVO: Making Me Cry

CHOIR EVO: Backup Singer - Dry

One female vocalist with multi-tracked harmony.

CHOIR EVO: Backup Choir

The same tracks with CHOIR EVO applied to each track.

CHOIR EVO: Male Trio - Dry

One male vocalist with multi-tracked harmony.

CHOIR EVO: Male Choir

The same tracks with CHOIR EVO applied to each track.

CHOIR EVO: Backup Singer - Dry

One female vocalist with multi-tracked harmony.

CHOIR EVO: Backup Choir

The same tracks with CHOIR EVO applied to each track.

DUO EVO: Female Vocal - Processed with DUO EVO

Harmony Engine: Time

Allen Papouban uses Harmony Engine EVO with vocalist Holly Prothman to create the harmonies in his song, Time. The CHOIR function is used to thicken up the backing vocals in the first half of the song, while the second half features five-part harmony.

Harmony Engine: Sing in Harmony

Composer Jeff Essex recorded Jerry Kennedy singing the lead vocal, then used Harmony Engine EVO's MIDI Channel mode to produce all of the harmony parts, including the integrated CHOIR on some of the phrases.

Harmony Engine: A Full Production

Producer/DJ/remixer Morgan Page uses Harmony Engine EVO to create backup harmonies for his song, On My Chest.

Harmony Engine: A Pop Ballad - Original Tracks

The original vocal track by singer/songwriter Paloma Ramos and piano accompaniment by co-writer Jason Poyner.

Harmony Engine: A Pop Ballad with Harmony Engine

MIDI data from Jason's original keyboard performance is used as harmony control input to a single instance of Harmony Engine EVO. At various points in the arrangement , the Formant Only Freeze function turn the harmony voices into wordless backup parts.

Harmony Engine: Country Folk

In this demo, Gerry Bassermann uses Harmony Engine EVO for the song Lift Us Away. Two vocal parts, each with Harmony Engine Evo.

Harmony Engine: Lift Us Away

Erik D and Stacey Dawn use Harmony Engine EVO on the vocals of this tasty bit of techno.

MUTATOR EVO: The Unprocessed Vocal

Erik D and Stacey Dawn use Harmony Engine EVO on the vocals of this tasty bit of techno.

MUTATOR EVO: Shifted Down

Pitch Shift and Throat Modeling

MUTATOR EVO: Shifted Up

Pitch Shift and Throat Modeling

MUTATOR EVO: Demonize

In this demo, we combine Pitch Shift, Throat Modeling, and one of the 24 varieties of Mutation to turn our vocalist into a demon.

MUTATOR EVO: Basic Alienization

Applying Alienization with a medium Dialect setting to the otherwise unaffected vocal.

MUTATOR EVO: Short Period Alienization

Another variety of Mutation and Dialect set to a shorter period, allowing more recognizable bits of the original phrase to come though.

MUTATOR EVO: Long Period Alienization

Yet another variety of Mutation with Dialect set to a much longer period, moving fully into the land of the weird.

MUTATOR EVO: Tempo-Synced Alienization

In this demo by Allen Papouban, MUTATOR Evo's Tempo-Synced Alienization function is used to sync the alienized vocal to the tempo of the song.

MUTATOR EVO: Automated Variation

All of MUTATOR Evo's various tools can be automated. Here we torture our vocal for the last time, varying pitch shift, throat models, mutation, processed/original mix and alienization.

MUTATOR EVO: My Life - Original

Singer/songwriter Hope Mayo's song in its original form so that you can clearly hear what MUTATOR Evo has done with it (plus, it's just a really nice song that deserves to be heard the way Hope intended).

MUTATOR EVO: My Life - Processed

Processed in real time with one instance of MUTATOR, using automation to vary the pitch shift, throat length and width, original and processed mix (to produce harmony), and even a little alienization.

PUNCH EVO: Original Track

Note how the level of each vocal phrase tails off at end.

PUNCH EVO: Processed with PUNCH EVO

Note the consistent level and increased dynamic impact.

THROAT EVO Example

In this piece, which features one male and one female vocalist, THROAT EVO has been used to create all of the various lead and backup vocal sounds. DUO EVO, CHOIR EVO and PUNCH EVO also make appearances.

Upgrades to AVOX 4

To Upgrade, you will need the Registration Code from your current product. (If you can’t find it, we can probably help. Go here.)

Upgrades to AVOX 4 are available from the following products:

Upgrade From Upgrade Price
AVOX Evo $79.00
AVOX 2  $99.00
AVOX (original version) $199.00
Harmony Engine Evo $199.00
Harmony Engine $249.00
Mic Mod EFX $299.00

System Requirements

AVOX 4 requires an iLok (not included).

Mac

AAX Native (64 and 32-bit)
• Pro Tools 10.3.8 or later.
• Mac OS 10.9.5 to 10.13 as required by your version of Pro Tools.

VST3 (64 and 32-bit)
• A compatible VST host program that supports the VST3 format.
• Mac OS 10.9.5 to 10.13 as required by your host.

Audio Units (64 and 32-bit compatible)
• A compatible host program that supports the Audio Units format.
• Mac OS 10.9.5 to 10.13 as required by your host.

RTAS
• Pro Tools 7.x to 10.x
• Mac OS 10.5.8 to 10.9.5 as required by your version of Pro Tools.

Windows

AAX Native (64 and 32-bit)
• Pro Tools 10.3.8 or later.
• Windows 7 to 10 as required by your version of Pro Tools.

VST2, VST3 (64 and 32-bit)
• A compatible host program that supports the VST2 or VST3 format.
• Windows 7 to 10 as required by your host. (Not compatible with Windows XP)

RTAS
• Pro Tools 8 – 10.
• Windows XP, Vista, 7, 8, or 8.1 as required by your version of Pro Tools.