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Singing in falsetto is, by definition, a kind of false projection into the world. About a decade ago, when Justin Vernon, the principal member of Bon Iver, was recording the songs that became the band’s début album, “For Emma, Forever Ago,” he realized that ranging just above his usual register made it easier to sing about memories that were otherwise too painful to recount…

Read the full article on The New Yorker >

The New Yorker

The New Yorker

A lighthearted, Manhattan-centric magazine

Today The New Yorker is considered by many to be the most influential magazine in the world, renowned for its in-depth reporting, political and cultural commentary, fiction, poetry, and humor.

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